Home Theatre REVIEW: Roman Vacation on the Theatre Royal, Bathtub

REVIEW: Roman Vacation on the Theatre Royal, Bathtub

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REVIEW: Roman Vacation on the Theatre Royal, Bathtub

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Within the seek for titles for brand spanking new stage productions the previous movie catalogues are offering a terrific supply which could enchantment to theatre audiences with a reminiscence of the title. The 1953 award-winning Roman Vacation which starred Audrey Hepburn and Gregory Peck is the most recent romantic story to seek out its solution to the stage. Tailored for the stage by Kirsten Guenther and Paul Blake and that includes the music of Cole Porter it gives a frivolous pleasant night’s leisure. Nevertheless, don’t anticipate the wit and innovation of say the adaption of the 1955 movie The Ladykillers or the staging and brilliance of Again to the Future. 

It is a easy story. The programme suggests it’s a reversed Cinderella and the script consists of the heavy-handed reference “flip right into a pumpkin and drive away in a glass slipper” however for many who know their pantomimes, it’s extra akin to the opening scenes of Aladdin with the Princess escaping the confines of her overprotective court docket to mingle with the peculiar city people, meet an eligible bachelor and be pursued by two doubtful policemen. The person she meets, Joe, even has a laddish mate, Irving, to help him however the result’s a bit wishy-washy! The programme additionally alludes to Princess Margaret, the troubled sister of our late Queen who appreciated an excellent time away from court docket, would possibly even trace at press intrusion into more moderen Royals and there’s a quite specific name for “nearer cooperation with Europe”, however it’s all so mild that if fashionable references are meant they slip quietly by.

The music is nice and vaguely acquainted and Cole Porter’s music was in fact included in lots of movies from the Twenties to the Nineteen Fifties so there was a giant catalogue to pick from. The most effective-known tune is “Night time and Day” from the 1932 musical Homosexual Divorce sung properly by Joe. Certainly, a lot of the songs are from the thirties though “Wouldn’t or not it’s enjoyable” sung by the Princess was utilized in Porter’s final musical rating for the TV model of Aladdin! All of them have a melodic romantic really feel even with some Jazz preparations however really feel barely out of step with the fifties really feel of the present. 

The programme additionally states that “the places (in Rome) had been an integral a part of the movie’s appeal” and whereas the design does give a way of fifties Italy it misses the prospect to move us to Metropolis and share the couple’s pleasure at seeing the websites. Maybe the Theatre Royal Bathtub’s manufacturing budgets don’t enable projection however, on this day, and age, good high quality projection of movie shot on location with some intelligent phantasm of motion on the moped would have elevated the essential scene to one thing extra attention-grabbing. As an alternative, they depend on a static moped, shaking arms to recommend movement, an ensemble choreography to point out motion and a few barely seen black-and-white stills in window frames to recommend the situation. Most pantomimes do that higher these days.


Regardless of these limitations, it’s a handsome present with some good comedian touches in some scenes and vigorous and energetic choreography by Matt Cole and Jane McMurtie. It opens properly with Tania Mathurin as Francesca, a nightclub singer, belting out “You do one thing to me” and the Princess’s look at a bed room window. After we meet the Princess, an enthralling efficiency from the petit Rebecca Collingwood, she shortly establishes the stress between her sense of responsibility and her need for journey and her relationship with the Countess (Richenda Carey) who organises her life. Reverse her, Michael Xavier makes an equally participating and charming Joe, a smooth-talking journalist who lies with ease to get his story till he falls in love. They’re greatest collectively in “Experiment” from Porter’s 1933 musical Nymph Errant with its scientific experiment theme being repurposed for all times journey.

It’s a very well-dressed present culminating in a fantastic fashionable blue robe and hat for the Princess in her press convention in sharp distinction to the extra informal fifties costumes of the early scenes. There is a wonderful bedsit truck for Joe and Ann’s conferences there, however later scenes are quite sketchily staged on a naked stage with the Embassy being proven just by flown Italian and vaguely Canadian flags. It does imply the motion flows slickly from scene to scene in a fast-paced two-hour present. The copper piped-edged portals body the motion and are mirrored in different components with out including to the setting.


There’s little or no to dislike about this present. It’s well-sung, amusing and pleasant however it feels it may need been one thing extra attention-grabbing with stronger subplots, and higher staging. For a summer time’s night, it’s a nice view, and also you simply want a slice of pizza, glass of chianti classico and a cappuccino to think about you might be someplace in Italy on vacation. 


Assessment by Nick Wayne


Ranking: ★★★

Seat: Stalls, Row I | Value of Ticket: £47

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