![REVIEW: Rock Follies on the Chichester Competition Theatre REVIEW: Rock Follies on the Chichester Competition Theatre](https://bunnythump.com/wp-content/uploads/https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmJCiSxVO1aAe2RVrNvhaf2tQdkab_VVcY2RfYYAGsjcVS3UdPV4-wqQhFnLako4ZTtdtzkAy9fE5ug1gUu_QDb2bzZLkJwm4CzV5N-J6uO09R_a4RWwyc-lxdOB2x3RoMRwTgVyIf1w1poOFoMCTwjKFY2YxJy-Iqtdzv5WY1VMXoy79J8hVVtIJ44YE/w1200-h630-p-k-no-nu/357542396_711276544371679_8994314616747988552_n.jpeg)
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Thames Tv was on the peak of its artistic powers within the late Seventies and early Eighties and underneath the great Verity Lambert (1935-2007) produced many iconic exhibits together with The bare civil servant (1975), The Sweeney (1975-1978), Minder (1979-1994), Widows (1983-1985), Rumpole of the Bailey (1978-1992) and Edward and Mrs Simpson (1978), all traditional TV dramas of the interval. In 1976/1977 she produced a 12-episode (2 sequence) present referred to as Rock Follies which made stars of Charlotte Cornwall, Rula Lenska and Julie Covington and its themes of an independently minded three-girl rock band referred to as the Little Girls in a world dominated by males was brilliantly executed and acted. The Chichester Theatre adaptation of this Landmark TV sequence by Chloe Moss for the Minerva after 45 years is courageous and daring towards the recollections of the three BAFTA Awarding profitable sequence and a number one soundtrack album. The adaption seems to elevate the plot from the twelve episodes and keep true to its storyline, however the impact is a really bitty episodic quite lengthy working time as they cram each track and plot level in from their formation, by means of their relationships, the excursions and brokers and artists they meet within the pursuit of fame. It does draw out clearly the tensions between the necessity and want for fame and fortune and the motivation and intent to vary the world with their messages. It’s this theme that maybe resonates one of the best right this moment, however it isn’t robust sufficient to drive the narrative.
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There may be robust assist from Tasmin Carroll because the strident Kitty (in an ideal Joanna Lumley type Purdey haircut), the supervisor who lastly will get their profession on monitor however at some value to the founders and their beliefs and from Sebastian Torkia because the obnoxious pop star (trying like a cross between Alce Copper and Jerry Sadowitz) who symbolises every part that was improper with the popular culture.
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At occasions the present looks like a Pre Edinburgh-Fringe workshop with a script that must be tighter, the adjustments of location slicker (maybe with projected places and dates or scene titles) and the texture extra genuine and fewer parody. I wished to love the manufacturing, I wished it to honour the unique and produce the story to new audiences, and I wished to have a good time the seventies youth tradition I loved however, ultimately, I used to be left recalling the title of a 1975 ebook, Nostalgia isn’t what it was once.
Overview by Nick Wayne
Ranking: ★★★
Seat: Row E | Worth of Ticket: £39
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