Home Music Maya Hawke stars reverse mum Uma Thurman in ‘The Kill Room’ trailer

Maya Hawke stars reverse mum Uma Thurman in ‘The Kill Room’ trailer

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Maya Hawke stars reverse mum Uma Thurman in ‘The Kill Room’ trailer

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Uma Thurman stars reverse her daughter Maya Hawke within the first trailer for The Kill Room – try the clip under.

Directed by Nicol Paone (Friendsgiving), the darkish comedic thriller follows artwork seller Patrice Capullo (Thurman) who turns into enterprise companions with hitman Reggie Pitt (Joe Manganiello) and Reggie’s boss, Gordon Davis (Samuel L. Jackson).

A synopsis reads: “The Kill Room is a darkish comedic thriller that follows an artwork seller who groups up with a hitman and his boss for a cash laundering scheme that by accident turns the hitman into an in a single day avant-garde sensation, forcing the seller to play the artwork world towards the underworld.”

Hawke, who’s the daughter of Thurman and Ethan Hawke, is briefly seen within the trailer, who performs one of many figures surrounding the felony triangle.

Different solid members embrace Debi Mazar, Dree Hemingway, Amy Keum, Sweet Buckley, Larry Pine, Jennifer Kim, Matthew Maher, Tom Pecinka and Alexander Sokovikov.

The Kill Room is launched in cinemas on September 29.

Hawke had her breakthrough function as Robin Buckley in Netflix’s Stranger Issues. She has additionally appeared in movies As soon as Upon A Time In Hollywood, Worry Avenue Half One: 1994 and Wes Anderson’s Asteroid Metropolis.

Together with being an actor, she has additionally launched two studio albums, ‘Blush’ and ‘Moss’, as a musician. Talking to NME final yr forward of the second file, Hawke stated: ““Once I was making ‘Blush’, I needed to do as little as doable to keep away from making errors. I needed it to be as stripped-back as doable, I didn’t wish to put reverb on my voice, I didn’t need any digital devices.

“I believe I’ve realized now to be like, ‘Let’s make errors, let’s aspire to sound how we truly wish to sound – even when it means embarrassing ourselves for being try-hards’.”

In a four-star evaluation of ‘Moss’, NME described it as “extra expansive” in comparison with her debut, which provides in “delicate however necessary touches of synths, electrical guitars and strings”.



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