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Indigenous Efficiency & Hana Keaka (Hawaiian Theatre)

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Indigenous Efficiency & Hana Keaka (Hawaiian Theatre)

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The Martin E. Segal Theatre Heart presents a dialog on livestreaming on the worldwide, commons-based, peer-produced HowlRound TV community onIndigenous Efficiency & Hana Keaka (Hawaiian Theatre) Monday 10 July 2023 at 6:30 a.m. HST (Honolulu, UTC -10) / 9:30 a.m. PDT (San Francisco, UTC -7) / 12:30 p.m. EDT (New York, UTC -4).

Be a part of us for a dialog with Baker and Wessendorf concerning the historical past, curriculum, theatre productions, analysis, and present initiatives of the Hana Keaka (Hawaiian Theatre) program on the Division of Theatre and Dance on the College of Hawaiʻi at Mānoa. The MFA in Hawaiian Theatre was established within the fall of 2012 and has already obtained nationwide and worldwide recognition. A brand new PhD focus in Hawaiian and Indigenous Efficiency at UHM begins this fall. These two tracks are the one graduate applications in america with a selected concentrate on Indigenous efficiency. Moderated by Frank Hentschker.

Tammy Hailiʻōpua Baker is a Professor of Theatre and Kumu of Hawaiian Theatre (Hana Keaka) on the Division of Theatre and Dance on the College of Hawaiʻi at Mānoa. Her work facilities on the event of an Indigenous Hawaiian theatre aesthetic and type, Hawaiian language revitalization, and the empowerment of cultural identification by way of stage efficiency. She can also be a playwright and the creative director of Ka Hālau Hanakeaka, a Hawaiian-medium theatre troupe. In Might 2022, she obtained the Kennedy Heart Medaillon of Excellence “for her creation and improvement of the MFA in Hawaiian Theatre, her mentorship of indigenous theatre-makers, and for her every day energetic, apply of reclaiming the tales of generations of indigenous populations who’ve been repressed, diminished, or silenced.” She can also be the initiator and director of ʻAhahui Noiʻi Noʻeau ʻŌiwi—Analysis Institute of Indigenous Efficiency (ANNO) at UHM.

Markus Wessendorf has been a Professor of Theatre on the Division of Theatre and Dance on the College of Hawaiʻi at Mānoa since 2001 and is at present the Division Chair. He obtained his graduate levels from the Institute of Utilized Theatre Research at Giessen College, Germany, the place he additionally was an assistant professor from 1992 to 1997. His areas of specialization are in experimental and avantgarde theatre, efficiency research and theatre idea, and dramaturgy and devised theatre. He has been the editor of The Brecht Yearbook/Das Brecht-Jahrbuch since quantity 43 (2017).



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